is a bored writer who, to exact some control in his life, picks a person at random and follows them home-just to see where they go. Then, one day, he picks a guy--Cobb--who confronts him, challenges him, and brings him along to show him the ropes of his chosen profession--breaking and entering. Soon, he is joining him in his robberies, and then things get a little...complicated. Shot in black-and-white, with an eye towards grit, then chopped up out of time-line to achieve the maximum end-punch, "Following" is a topsy-turvy, nervey little film that for all of its nothing budget creates maximum effect. The acting is okay, too. But it set up Nolan as an efficient film-maker who wasn't afraid to think out of the box. His next film, Memento, would take him further into that experimentation to far greater effect.Tuesday, March 11, 2008
Following
"Following" (Christopher Nolan, 1999) Short film by Christopher Nolan combining film noir, Hitchcock and kitchen-sink drama. The nameless "hero"
is a bored writer who, to exact some control in his life, picks a person at random and follows them home-just to see where they go. Then, one day, he picks a guy--Cobb--who confronts him, challenges him, and brings him along to show him the ropes of his chosen profession--breaking and entering. Soon, he is joining him in his robberies, and then things get a little...complicated. Shot in black-and-white, with an eye towards grit, then chopped up out of time-line to achieve the maximum end-punch, "Following" is a topsy-turvy, nervey little film that for all of its nothing budget creates maximum effect. The acting is okay, too. But it set up Nolan as an efficient film-maker who wasn't afraid to think out of the box. His next film, Memento, would take him further into that experimentation to far greater effect.
is a bored writer who, to exact some control in his life, picks a person at random and follows them home-just to see where they go. Then, one day, he picks a guy--Cobb--who confronts him, challenges him, and brings him along to show him the ropes of his chosen profession--breaking and entering. Soon, he is joining him in his robberies, and then things get a little...complicated. Shot in black-and-white, with an eye towards grit, then chopped up out of time-line to achieve the maximum end-punch, "Following" is a topsy-turvy, nervey little film that for all of its nothing budget creates maximum effect. The acting is okay, too. But it set up Nolan as an efficient film-maker who wasn't afraid to think out of the box. His next film, Memento, would take him further into that experimentation to far greater effect.
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Following
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